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With the release of 1973's The Dark Side of the Moon, Pink Floyd abruptly went from a moderately successful acid-rock band to one of pop music's biggest acts. The recording, in fact, remained on Billboard's Top 200 album chart longer than any other release in history. Along with 1979's The Wall, it established Pink Floyd as purveyors of a distinctively dark vision. Experimenting with concept albums and studio technology and breaking free of conventional pop-song formats, Pink Floyd prefigured the progressive rock of the '70s and ambient music of the ’80s.

As early as 1964, Pink Floyd’s original members, except Syd Barrett, were together studying architecture at London’s Regent Street Polytechnic School. With Barrett, an art student who coined the name the Pink Floyd Sound after a favorite blues record by Pink Anderson and Floyd Council, they began playing R&B-based material for schoolmates. By 1967 they had developed an unmistakably psychedelic sound; long, loud suitelike compositions that touched on hard rock, blues, country, folk, electronic, and quasi-classical music. Adding a slide-and-light show, one of the first in British rock, they became a sensation among London’s underground as a featured attraction at the UFO Club. Barrett, who was responsible for most of the band’s early material, had a knack for composing singles-length bits of psychedelia, and Pink Floyd had British hits with two of them in 1967: “Arnold Layne” (#20 U.K.), the tale of a transvestite, and “See Emily Play” (#60 U.K.). The latter, however, was the last hit single they would have for over a decade; space-epic titles like “Astronomy Domine” and “Interstellar Overdrive” were more typical.

In 1968 Barrett , allegedly because of an excess of LSD experimentation, began to exhibit ever more strange and erratic behavior. David Gilmour joined to help with the guitar work. Barrett appeared on only one track of Secrets, “Jugband Music,” which aptly summed up his mental state: “I’m most obliged to you for making it clear/That I’m not really here.” Without Barrett to create concise psychedelic singles, the band concentrated on wider-ranging psychedelic epics.

From 1969 to 1972 Pink Floyd made several film soundtracks - the most dramatic being Zabriskie Point, in which Michelangelo Antonioni’s closing sequence of explosions was complemented by Floyd’s “Careful With That Axe, Eugene” - and began using its “azimuth coordinated sound system” in concert, a sophisticated 360-degree P.A. With Atom Heart Mother, they topped the British chart in 1970; stateside success, however, still eluded them.

Their breakthrough came in 1973 with The Dark Side of the Moon. The themes were unremittingly bleak - alienation, paranoia, schizophrenia - and the music was at once sterile and doomy. Taped voices mumbling ominous asides (something the band had used before) surfaced at key moments. Yielding a surprise American hit in “Money,” (#13, 1973), the album went on to mammoth long-running sales success. Ultimately remaining on the Billboard Top 200 album chart for 741 weeks, Dark Side showcased the talents of Pink Floyd’s chief members: Waters’ lyrics, Gilmour’s guitar. The two would continue to dominate the band but soon furiously contend against each other.

The group’s subsequent albums explored the same territory, with Waters’ songs growing ever more bitter. Wish You Were Here (#1, 1975) was dedicated to Barrett and elegized him with “Shine On You Crazy Diamond.” The Wall, Waters’ finest moment, topped the U.S. chart for 15 weeks, while its nihilistic hit, “Another Brick in the Wall,” was banned by the BBC and in 1980 became the band’s only #1 American single. Meanwhile Pink Floyd’s stage shows had become increasingly elaborate. For the Dark Side and Wish tours, there were slide/light shows and animated films, plus a giant inflated jet that crashed into the stage; for Animals, huge inflated pigs hovered over the stadiums; for The Wall (due to enormous expense, performed 29 times only in New York, L.A., and London) there was that, plus an actual wall built, brick by brick, across the stage, eventually obscuring the band from audience view. Shortly thereafter, Wright left, due to conflict with Waters.

With The Final Cut (#6, 1983), subtitled A Requiem for the Postwar Dream, Waters penned his darkest work yet. It also marked the effective end of the original Pink Floyd, with Waters bitterly departing, and Gilmour and Mason cementing their alliance. (Two films related to the original band - minus Barrett - have been made: the documentary Pink Floyd Live at Pompeii [1971] and The Wall [1982]. The latter featured stunning animation by Gerald Scarfe - Bob Geldof starred in the live-action sequences - and illustrated music from Pink Floyd’s LP of the same name. The first remains a cult movie; the second was a massive commercial success.)

In 1978, withGilmour’s David Gilmour and Wright’s Wet Dream, Pink Floyd’s members had started releasing solo albums. Mason had begun a sideline career as a producer in 1974 with Robert Wyatt; ultimately his very diverse roster included Gong, Carla Bley, the Damned, and Steve Hillage. Solo work continued into the ’80s: In 1984 came Waters’ The Pros and Cons of Hitch Hiking, Wright’s Identity, and Gilmour’s About Face (with lyrical contributions by Pete Townshend). A year later Mason released Profiles. Concurrently, Gilmour played sessions with Bryan Ferry, Grace Jones, and Arcadia; in 1986 he formed David Gilmour & Friends with Bad Company’s Mick Ralphs.

In 1986 Waters brought suit against Gilmour and Mason, asking the court to dissolve the trio’s partnership and to block them from using the name Pink Floyd. A year later Waters lost his suit, and the other members, as Pink Floyd, released Momentary Lapse of Reason (#3, 1987). As Waters put out his own Radio K.A.O.S., the others launched a Pink Floyd tour that grossed nearly $30 million. (Though Wright was included on the tour and album, he wasn’t legally considered an official band member but a salaried employee.) With the live Delicate Sound of Thunder, Gilmour, Mason, and Wright again billed themselves as Pink Floyd and went on to more successful touring, including a gig performed in Venice aboard a giant barge, which was televised worldwide.

In 1990 Waters presented an all-star cast, including Sinéad O’Connor, Joni Mitchell, and Van Morrison, in a version of The Wall performed at the site of the Berlin Wall (chronicled in The Wall - Live in Berlin). Two years later he released the dour Amused to Death.

With Wright rejoining Gilmour and Mason as a full band member, Pink Floyd garnered immediate success with The Division Bell in 1994. Named after the bell in the British House of Commons that summons members to parliamentary debate, the album featured songs written by Gilmour in collaboration with his ex-journalist girlfriend Polly Samson. Two weeks after its release, The Division Bell shot to #1 on the album chart, and in late spring the band embarked on an elaborate American tour. P.U.L.S.E. (#1, 1995) documented the ’94 tour, including a live performance of Dark Side of the Moon in its entirety. In 1996 Pink Floyd was inducted into the Rock and Roll Hall of Fame. Still antagonistic with his former band mates, Waters didn’t attend the ceremonies. After a successful solo tour in 1999, he embarked upon writing a modern opera about the French Revolution, recording with an 80-piece orchestra and 100-member choir.

In the interim, Dark Side of the Moon had taken on yet new life, when certain Pink Floyd fans began playing the album while watching The Wizard of Oz and noting how the 1973 album seemed to provide an uncannily appropriate soundtrack to the 1939 film. The band itself denied that it had intended any sort of parallel between its music and the movie, but rumors persisted of an eerie connection between the two. Pink Floyd also entered the new millennium by releasing a live version, from 1980, of The Wall, in double-CD format, with a lavishly illustrated history.



After decades of turbulence, Dave Gilmour, Rick Wright, Nick Mason and Roger Waters finally stood on the same stage together to perform at the global Live 8 concert on July 2, 2005. It had been 24 years since all four band members had played together. Although the appearance remained a one-time only affair, the classic line-up embraced at the end of their set. One year later, on July 7, 2006, Syd Barrett died at his home in Cambridge from complications related to diabetes.


Nick Mason

  • Active: 1965–1994, 2005 (Live 8 reunion concert), 2007 (Syd Barrett benefit concert), 2011 (The Wall Tour 2011 (O2 Arena)), 2012–2014
  • Instruments: drums, percussion, tape effects, occasional vocals
  • Release contributions: all Pink Floyd releases

Roger Waters

  • Active: 1965–1985, 2005 (Live 8 reunion concert), 2011 (The Wall Tour 2011 (O2 Arena))
  • Instruments: vocals, bass guitar, tape effects, occasional guitar, percussion, and synthesizers
  • Release contributions: all releases from The Piper at the Gates of Dawn to The Final Cut

Richard Wright

  • Active: 1965–1979, 1993–1994, 2005 (Live 8 reunion concert), 2007 (Syd Barrett benefit concert) (touring/session member from 1979–1981 and 1987–1990)
  • Instruments: vocals, keyboards, synthesizers
  • Release contributions: all releases except for The Final Cut

Syd Barrett

  • Active: 1965–1968
  • Instruments: vocals, guitar
  • Release contributions: The Piper at the Gates of Dawn and A Saucerful of Secrets

David Gilmour

  • Active: 1968–1994, 2005 (Live 8 reunion concert), 2007 (Syd Barrett benefit concert), 2011 (The Wall Tour 2011 (O2 Arena)), 2012–2014
  • Instruments: vocals, guitar, occasional bass guitar, keyboards, synthesizers, and drums
  • Release contributions: all releases except for The Piper at the Gates of Dawn

Bob Klose

  • Active: 1965
  • Instruments: guitar
  • Release contributions: 1965: Their First Recordings

Studio Albums

The Piper at the Gates of Dawn

  • Released 5 August 1967
  • Recorded 21 February – 21 May 1967 at EMI Studios, London
  • Genre Psychedelic rock
  • Length 41:52
  • Label EMI Columbia (UK)
    Tower (US)
  • Producer Norman Smith

British release
Side one

  1. "Astronomy Domine" Barrett and Richard Wright 4:12
  2. "Lucifer Sam" Barrett 3:07
  3. "Matilda Mother" Wright and Barrett 3:08
  4. "Flaming" Barrett 2:46
  5. "Pow R. Toc H." (Barrett, Roger Waters, Wright, Nick Mason) Barrett and Waters 4:26
  6. "Take Up Thy Stethoscope and Walk" (Waters) Waters 3:05

Side two

  1. "Interstellar Overdrive" (Barrett, Waters, Wright, Mason) Instrumental 9:41
  2. "The Gnome" Barrett 2:13
  3. "Chapter 24" Barrett 3:42
  4. "Scarecrow" Barrett 2:11
  5. "Bike" Barrett 3:21

American release
Side one

  1. "See Emily Play" Barrett 2:53
  2. "Pow R. Toc H." (Barrett, Waters, Wright, Mason) Barrett and Waters 4:26
  3. "Take Up Thy Stethoscope and Walk" (Waters) Waters 3:05
  4. "Lucifer Sam" Barrett 3:07
  5. "Matilda Mother" Wright and Barrett 3:08

Side two

  1. "Scarecrow" Barrett 2:11
  2. "The Gnome" Barrett 2:13
  3. "Chapter 24" Barrett 3:42
  4. "Interstellar Overdrive" (Barrett, Waters, Wright, Mason) Instrumental 9:41

A Saucerful of Secrets

  • Released 29 June 1968 (UK)
    27 July 1968 (US)
  • Recorded 7–8 August 1967, and 18 January – 3 May 1968 at EMI Studios, London
    9–11 and 19 October 1967 at De Lane Lea Studios
  • Genre Psychedelic rock
  • Length 39:25
  • Label EMI Columbia (UK)
    Tower (US)
  • Producer Norman Smith

Side one

  1. "Let There Be More Light" Waters Gilmour, Wright 5:38
  2. "Remember a Day" Wright Wright 4:33
  3. "Set the Controls for the Heart of the Sun" Waters Waters 5:28
  4. "Corporal Clegg" Waters Gilmour, Wright, Mason, Barrett 4:13

Side two

  1. "A Saucerful of Secrets" Waters, Wright, Gilmour, Mason Instrumental 11:52
  2. "See-Saw" Wright Wright 4:36
  3. "Jugband Blues" Barrett Barrett 3:00

Soundtrack from the Film More

  • Released 13 June 1969
  • Recorded 1 February – 31 May 1969, Pye Studios, London
  • Genre Psychedelic rock
  • Length 44:56
  • Language English
  • Label EMI Columbia (UK)
    Tower (US)
  • Producer Pink Floyd

Side one

  1. "Cirrus Minor" Waters 5:18
  2. "The Nile Song" Waters 3:26
  3. "Crying Song" Waters 3:33
  4. "Up the Khyber" Mason, Wright 2:12
  5. "Green Is the Colour" Waters 2:58
  6. "Cymbaline" Waters 4:50
  7. "Party Sequence" Waters, Wright, Gilmour, Mason 1:07

Side two

  1. "Main Theme" Waters, Wright, Gilmour, Mason 5:27
  2. "Ibiza Bar" Waters, Wright, Gilmour, Mason 3:19
  3. "More Blues" Waters, Wright, Gilmour, Mason 2:12
  4. "Quicksilver" Waters, Wright, Gilmour, Mason 7:13
  5. "A Spanish Piece" Gilmour 1:05
  6. "Dramatic Theme" Waters, Wright, Gilmour, Mason 2:15


  • Released 25 October 1969
    Recorded 27 April 1969 at the Mothers Club, Birmingham, England
    2 May 1969 at Manchester College of Commerce, Manchester, England
  • Genre Avant-garde, musique concrète, psychedelic rock, experimental rock, progressive rock
  • Length 1:26:11
  • Label Harvest
  • Producer Pink Floyd, Norman Smith

Live album

  1. "Astronomy Domine" (Syd Barrett) – 8:29
  2. "Careful with That Axe, Eugene" (Roger Waters, Rick Wright, David Gilmour, Nick Mason) – 8:50
  3. "Set the Controls for the Heart of the Sun" (Waters) – 9:12
  4. "A Saucerful of Secrets" (Gilmour/Waters/Wright/Mason) – 12:48
  5. "Something Else"
  6. "Syncopated Pandemonium"
  7. "Storm Signal"
  8. "Celestial Voices"

Studio album

  1. "Sysyphus" (Wright) – 12:59
    * Part 1 – 4:29
    * Part 2 – 1:45
    * Part 3 – 3:07
    * Part 4 – 3:38
  2. "Grantchester Meadows" (Waters) – 7:26
  3. "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict" (Waters) – 4:59
  4. "The Narrow Way" (Gilmour) – 12:17
    * Part 1 – 3:27
    * Part 2 – 2:53
    * Part 3 – 5:57
  5. "The Grand Vizier's Garden Party" (Mason) – 8:44
    * Part 1: "Entrance" – 1:00
    * Part 2: "Entertainment" – 7:06
    * Part 3: "Exit" – 0:38

Atom Heart Mother

  • Released 2 October 1970
  • Recorded February – August 1970 at
    Abbey Road Studios
    (London, United Kingdom)
  • Genre Progressive rock, symphonic rock, psychedelic rock
  • Length 52:06
  • Label Harvest, EMI
  • Producer Pink Floyd, Norman Smith (executive producer)

  1. "Atom Heart Mother" Gilmour, Waters, Wright, Mason, Ron Geesin Instrumental 23:44
  2. "If" Waters Waters 4:31
  3. "Summer '68" Wright Wright 5:29
  4. "Fat Old Sun" Gilmour Gilmour 5:22
  5. "Alan's Psychedelic Breakfast" Gilmour, Waters, Wright, Mason Instrumental 13:00


  • Released 30 October 1971
  • Recorded January – August 1971 at
    AIR Studios, Abbey Road Studios, and Morgan Studios
  • Genre Progressive rock
  • Length 46:46
  • Language English
  • Label Harvest, EMI
  • Producer Pink Floyd

Side one

  1. "One of These Days" Gilmour, Waters, Wright, Mason Mason (Vocal phrase) 5:57
  2. "A Pillow of Winds" Gilmour, Waters Gilmour 5:10
  3. "Fearless" Gilmour, Waters; interpolating "You'll Never Walk Alone" Gilmour 6:08
  4. "San Tropez" Waters Waters 3:43
  5. "Seamus" Gilmour, Waters, Wright, Mason Gilmour 2:16

Side two

  1. "Echoes" Wright, Gilmour, Waters, Mason Gilmour and Wright 23:29

Obscured by Clouds

  • Released 2 June 1972
  • Recorded 23–29 February and 23 March–6 April 1972, Strawberry Studios, Château d'Hérouville, Hérouville, Île-de-France, France
  • Genre Progressive rock
  • Length 40:30
  • Language English
  • Label Harvest
  • Producer Pink Floyd

Side one

  1. "Obscured by Clouds" Gilmour, Waters Instrumental 3:03
  2. "When You're In" Gilmour, Waters, Wright, Mason Instrumental 2:30
  3. "Burning Bridges" Wright, Waters Gilmour, Wright 3:29
  4. "The Gold It's in The..." Gilmour, Waters Gilmour 3:07
  5. "Wot's... Uh the Deal?" Gilmour, Waters Gilmour 5:08
  6. "Mudmen" Wright, Gilmour Instrumental 4:20

Side two

  1. "Childhood's End" Gilmour Gilmour 4:31
  2. "Free Four" Waters Waters 4:15
  3. "Stay" Waters, Wright Wright 4:05
  4. "Absolutely Curtains" Gilmour, Waters, Wright, Mason Instrumental 5:52

The Dark Side of the Moon

  • Released 1 March 1973
  • Recorded June 1972 – January 1973 at
    Abbey Road Studios, London
  • Genre Progressive rock
  • Length 42:59
  • Label Harvest, Capitol
  • Producer Pink Floyd

All lyrics written by Roger Waters.

Side one

  1. "Speak to Me" Mason Instrumental 1:30
  2. "Breathe" Waters, Gilmour, Wright Gilmour 2:43
  3. "On the Run" Gilmour, Waters Instrumental 3:30
  4. "Time" (containing "Breathe (Reprise)") Mason, Waters, Wright, Gilmour Gilmour and Wright 6:53
  5. "The Great Gig in the Sky" Wright, Clare Torry[nb 13] Clare Torry 4:15

Side two

  1. "Money" Waters Gilmour 6:30
  2. "Us and Them" Waters, Wright Gilmour and Wright 7:34
  3. "Any Colour You Like" Gilmour, Mason, Wright Instrumental 3:24
  4. "Brain Damage" Waters Waters 3:50
  5. "Eclipse" Waters Waters 1:45

Wish You Were Here

  • Released 12 September 1975
  • Recorded January – July 1975 at
    Abbey Road Studios, London
  • Genre Progressive rock
  • Length 44:28
  • Label Harvest
    Columbia/CBS (outside Europe)
  • Producer Pink Floyd

All lyrics written by Roger Waters.

Side one

  1. "Shine On You Crazy Diamond (Parts I–V)" Gilmour, Waters, Wright Waters 13:30
  2. "Welcome to the Machine" Waters Gilmour 7:31

Side two

  1. "Have a Cigar" Waters Harper 5:08
  2. "Wish You Were Here" Gilmour Gilmour 5:40
  3. "Shine On You Crazy Diamond (Parts VI–IX)" Gilmour, Waters, Wright Waters 12:31


  • Released 23 January 1977
  • Recorded April – December 1976 at
    Britannia Row Studios
    (London, United Kingdom)
  • Genre Progressive rock
  • Length 41:41
  • Language English
  • Label Harvest, EMI
  • Producer Pink Floyd

All lyrics written by Roger Waters.

Side one

  1. "Pigs on the Wing 1" 1:24
  2. "Dogs" 17:06

Side two

  1. "Pigs (Three Different Ones)" 11:28
  2. "Sheep" 10:21
  3. "Pigs on the Wing 2" 1:27

The Wall

  • Released 30 November 1979
  • Recorded July – December 1978 at
    Britannia Row Studios
    (London, England)
    January – July 1979 at
    Super Bear Studios and Studio Miraval
    (Correns, France)
    September 1979 at
    CBS 30th Street Studio
    (New York, United States)
    October – November 1979 at
    Cherokee Studios, Producers Workshop and The Village
    (Los Angeles, United States)
  • Genre Progressive rock
  • Length 1:21:09
  • Label Harvest Records/EMI Records (UK)
    Columbia Records (US)
  • Producer Bob Ezrin, David Gilmour, James Guthrie and Roger Waters

All songs written and composed by Roger Waters, except where noted.

Side one

  1. "In the Flesh?" Waters 3:19
  2. "The Thin Ice" Gilmour, Waters 2:27
  3. "Another Brick in the Wall: Part 1" Waters 3:21
  4. "The Happiest Days of Our Lives" Waters 1:46
  5. "Another Brick in the Wall: Part 2" Gilmour, Waters 4:00
  6. "Mother" Waters, Gilmour 5:36

Side two

  1. "Goodbye Blue Sky" Gilmour 2:45
  2. "Empty Spaces" Waters 2:10
  3. "Young Lust" Waters, Gilmour Gilmour 3:25
  4. "One of My Turns" Waters 3:35
  5. "Don't Leave Me Now" Waters 4:16
  6. "Another Brick in the Wall: Part 3" Waters 1:14
  7. "Goodbye Cruel World" Waters 1:13

Side three

  1. "Hey You" Gilmour, Waters 4:40
  2. "Is There Anybody Out There?" Waters 2:44
  3. "Nobody Home" Waters 3:26
  4. "Vera" Waters 1:35
  5. "Bring the Boys Back Home" Waters 1:21
  6. "Comfortably Numb" Gilmour, Waters Waters, Gilmour 6:24

Side four

  1. "The Show Must Go On" Gilmour 1:36
  2. "In the Flesh" Waters 4:13
  3. "Run Like Hell" Gilmour, Waters Gilmour, Waters 4:19
  4. "Waiting for the Worms" Waters, Gilmour 4:04
  5. "Stop" Waters 0:30
  6. "The Trial" Waters, Ezrin Waters 5:13
  7. "Outside the Wall" Waters 1:41

The Final Cut

  • Released 21 March 1983
  • Recorded July – December 1982
    (see recording)
  • Genre Progressive rock
  • Length 43:27
  • Label Harvest
  • Producer
    Roger Waters
    James Guthrie
    Michael Kamen

All lead vocals performed by Roger Waters except "Not Now John" by David Gilmour and Roger Waters.

All songs written and composed by Roger Waters.

Side one

  1. "The Post War Dream" 3:02
  2. "Your Possible Pasts" 4:22
  3. "One of the Few" 1:12
  4. "The Hero's Return" 2:56
  5. "The Gunner's Dream" 5:01
  6. "Paranoid Eyes" 3:40

Side two

  1. "Get Your Filthy Hands Off My Desert" 1:19
  2. "The Fletcher Memorial Home" 4:11
  3. "Southampton Dock" 2:13
  4. "The Final Cut" 4:46
  5. "Not Now John" 5:01
  6. "Two Suns in the Sunset" 5:14

A Momentary Lapse of Reason

  • Released 7 September 1987
  • Recorded October 1986 – January 1987 at
    (London, United Kingdom)
    February - March 1987 at
    Mayfair Studios
    (London, United Kingdom)
    March - May 1987 at
    A&M Studios and Los Angeles Memorial Sports Arena
    (Los Angeles, United States)
  • Genre Progressive rock
  • Length 51:14
  • EMI
  • Producer
    Bob Ezrin
    David Gilmour

  1. "Signs of Life" (instrumental) David Gilmour, Bob Ezrin 4:24
  2. "Learning to Fly" Gilmour, Anthony Moore, Ezrin, Jon Carin 4:53
  3. "The Dogs of War" Gilmour, Moore 6:05
  4. "One Slip" Gilmour, Phil Manzanera 5:10
  5. "On the Turning Away" Gilmour, Moore 5:42
  6. "Yet Another Movie / Round and Around" Gilmour, Patrick Leonard / Gilmour 7:28
  7. "A New Machine (Part 1)" Gilmour 1:46
  8. "Terminal Frost" Gilmour 6:17
  9. "A New Machine (Part 2)" Gilmour 0:38
  10. "Sorrow" Gilmour 8:46

The Division Bell

  • Released 28 March 1994
    30 June 2014 (Reissue)
  • Recorded January–December 1993 at Astoria in London
  • Genre Progressive rock
  • Length 66:32
  • Label Columbia (US), EMI (UK)
  • Producer Bob Ezrin, David Gilmour

All lead vocals performed by David Gilmour unless stated otherwise.

  1. "Cluster One" Instrumental David Gilmour, Richard Wright 5:58
  2. "What Do You Want from Me?" Gilmour, Polly Samson Gilmour, Wright 4:21
  3. "Poles Apart" Gilmour, Samson, Nick Laird-Clowes Gilmour 7:04
  4. "Marooned" Instrumental Gilmour, Wright 5:29
  5. "A Great Day for Freedom" Gilmour, Samson Gilmour 4:17
  6. "Wearing the Inside Out" (Lead vocals: Richard Wright and David Gilmour) Anthony Moore Wright 6:49
  7. "Take It Back" Gilmour, Samson, Laird-Clowes Gilmour, Bob Ezrin 6:12
  8. "Coming Back to Life" Gilmour Gilmour 6:19
  9. "Keep Talking" Gilmour, Samson Gilmour, Wright 6:11
  10. "Lost for Words" Gilmour, Samson Gilmour 5:14
  11. "High Hopes" Gilmour, Samson Gilmour 8:31

Pulse (Live)

  • Released 29 May 1995
  • Recorded 17 August - 29 October 1994
  • Genre Progressive rock
  • Length 147:59
    Language English
  • Label EMI (Europe), Columbia (elsewhere)
  • Producer James Guthrie, David Gilmour

Lead vocals performed by David Gilmour unless stated otherwise.

Disc one

  1. "Shine On You Crazy Diamond (Parts 1–5 and 7)" (David Gilmour, Roger Waters, Richard Wright) – 13:35
    * Earls Court, London on 20 October 1994
  2. "Astronomy Domine" (Syd Barrett) – 4:20
    * Earls Court, London on 15 October 1994
  3. "What Do You Want from Me" (Gilmour, Wright, Polly Samson) – 4:10
    * Rome, 21 September 1994
  4. "Learning to Fly" (Gilmour, Anthony Moore, Bob Ezrin, Jon Carin) – 5:16
    * Earls Court, London on 14 October 1994
  5. "Keep Talking" (Gilmour, Wright, Samson) – 6:52
    * Hannover, 17 August 1994
  6. "Coming Back to Life" (Gilmour) – 6:56
    * Earls Court, London on 13 October 1994
  7. "Hey You" (Waters) – 4:40
    * Earls Court, London on 13 and 15 (last verse) October 1994
  8. "A Great Day for Freedom" (Gilmour, Samson) – 4:30
    * Earls Court, London on 19 October 1994
  9. "Sorrow" (Gilmour) – 10:49
    * Rome, 20 September 1994
  10. "High Hopes" (Gilmour, Samson) – 7:52
    * Earls Court, London on 20 October 1994. Some parts ("forever and ever" line and part of lap steel solo) from London, 14–19 or 21–29 October 1994.
  11. "Another Brick in the Wall (Part Two)" (Waters) – 7:08
    * Earls Court, London on 21 October 1994
    * Lead vocals: David Gilmour and Guy Pratt

Bonus track on cassette and LP editions

  1. "One of These Days" (Gilmour, Waters, Wright, Nick Mason) – 6:45
    * Earls Court, London on 16 and 20 (last part) October 1994

The Dark Side of the Moon

Disc two

  1. "Speak to Me" (Mason) – 2:30
    * Earls Court 20 October 1994
  2. "Breathe" (Gilmour, Waters, Wright) – 2:33
    * Earls Court 20 October 1994
  3. "On the Run" (Gilmour, Waters) – 3:48
    * Earls Court 20 October 1994
  4. "Time" (Gilmour, Waters, Wright, Mason) – 6:47
    * Explosion recorded in London, 15 October 1994. Intro recorded in Modena 17 September 1994. The rest of song and most of "Breathe (Reprise)" was recorded in Rome, 20 September 1994. Ending of "Breathe Reprise" recorded in London, 20 October 1994.
  5. "The Great Gig in the Sky" (Wright, Torry) – 5:52
    * London, 20 October 1994
  6. "Money" (Waters) – 8:54
    * Modena, 17 September 1994. Part of sax solo from London October 1994.
  7. "Us and Them" (Waters, Wright) – 6:58
    * London, 20 October 1994. Second and third choruses London, 19 October 1994.
  8. "Any Colour You Like" (Gilmour, Wright, Mason) – 3:21
    * London, 23 October 1994. Last part recorded in London, 19 October 1994.
  9. "Brain Damage" (Waters) – 3:46
    * London, 19 October 1994
  10. "Eclipse" (Waters) – 2:38
    * London, 19 October 1994
  11. "Wish You Were Here" (Gilmour, Waters) – 6:35
    * Rome, 20 September 1994
  12. "Comfortably Numb" (Gilmour, Waters) – 9:29
    * London, 20 October 1994
  13. "Run Like Hell" (Gilmour, Waters) – 8:36
    * London, 15 October 1994

Bonus track on the cassette edition

  • "Soundscape" (Gilmour, Wright, Mason) – 22:00
    * An ambient piece that was played before the 1994 concerts

The Endless River

  • Released October 2014
  • Recorded January 1993 – 2014 at
    (London, England)
  • Producer David Gilmour, Martin Glover, Andy Jackson, Phil Manzanera
All tracks produced by David Gilmour, Phil Manzanera, Youth and Andy Jackson.

Side one

  1. "Things Left Unsaid" 4:26
  2. "It's What We Do" 6:17
  3. "Ebb and Flow" 1:55

Side two

  1. "Sum" 4:48
  2. "Skins" 2:37
  3. "Unsung" 1:07
  4. "Anisina" 3:16

Side three

  1. "The Lost Art of Conversation" 1:42
  2. "On Noodle Street" 1:42
  3. "Night Light" 1:42
  4. "Allons-y (1)" 1:57
  5. "Autumn '68" 1:35
  6. "Allons-y (2)" 1:32
  7. "Talkin' Hawkin'" 3:29

Side four

  1. "Calling" 3:37
  2. "Eyes to Pearls" 1:51
  3. "Surfacing" 2:46
  4. "Louder than Words" 6:36

The Endless River deluxe edition

  1. "TBS9" 2:27
  2. "TBS14" 4:11
  3. "Nervana" 5:32
  4. "Anisina" (video) 2:49
  5. "Untitled" (video) 1:22
  6. "Evrika (A)" (video) 5:58
  7. "Nervana" (video) 5:32
  8. "Allons-y" (video) 6:00
  9. "Evrika (B)" (video) 5:33


Year Single Album
1967 "Arnold Layne" Non–album single
"See Emily Play" Non–album single
"Flaming" The Piper at the Gates of Dawn
"Apples and Oranges" Non–album single
1968 "It Would Be So Nice" Non–album single
"Let There Be More Light" A Saucerful of Secrets
"Point Me at the Sky" Non–album single
1971 "One of These Days" Meddle
1972 "Free Four" Obscured by Clouds
1973 "Money" The Dark Side of the Moon
1974 "Us and Them"/"Time" (Double A-side)
1975 "Have a Cigar" (featuring Roy Harper) Wish You Were Here
"Wish You Were Here"
1979 "Another Brick in the Wall (Part II)" The Wall
1980 "Run Like Hell"
"Comfortably Numb"
1982 "Money" A Collection of Great Dance Songs
"When the Tigers Broke Free" The Final Cut
1983 "Not Now John"
"Your Possible Pasts"
"The Hero's Return"
1987 "Learning to Fly" A Momentary Lapse of Reason
"On the Turning Away"
"One Slip"
1988 "Sorrow"
"The Dogs of War"
"Comfortably Numb" Delicate Sound of Thunder
1994 "Take It Back" The Division Bell
"High Hopes"
"Keep Talking" (Double A-side)
"Lost for Words"
"What Do You Want From Me"
1995 "Wish You Were Here" Pulse
2000 "Young Lust" Is There Anybody Out There? The Wall Live 1980–81
2014 "Louder than Words" The Endless River

Dedication Scroller

Axel Rudi Pell

Song Played:
In The Air Tonight

Requested by:

To all us air heads ;)

The Doors

Song Played:
The End

Requested by:

Is it really???

Ten Years After

Song Played:
Iron Horse

Requested by:

They been going since 1967 this is from 2017 :)


Song Played:

Requested by:

hmmm I wonder what the "man" used the spoon for???


Song Played:
Better Than You

Requested by:


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